Musik machen im Zeitfluss, mit Einfachheit und Emotion. Ich lasse mich ein auf die Resonanz des Aufführungsortes und entwickle dazu die musikalischen Ideen. Die Fülle des Klangmaterials: Variable Holz - und Steinreihen, klingende Bronze in den Pendelsaiten, und die Vielfalt meiner Instrumente – Fell- und Bronzetrommeln, Violine, Piano, Spinett, Harmonium, Holzhorn, Bambusflöte – gibt mir die Möglichkeit, für jede Aufführung die richtige Auswahl zu treffen. Dazu kommt der instrumentale Dialog mit anderen Musikern und Musikerinnen. In der freien Improvisation werden neue Möglichkeiten entdeckt, durch Emotionen entstehen neue musikalische Äußerungen, die im musikalischen Gedächtnis gespeichert werden. Dieses Gedächtnis ist der eigentliche Schatz. Jedes Spiel zählt und bereichert es – im Gegensatz zur Übungssituation des interpretierenden Musikers, der auf dem Weg zur Perfektion jede unperfekte Interpretation in seinen imaginären musikalischen Papierkorb entsorgen muss. Wenn ein Konzert geplant ist, wird im Unterschied zur freien Improvisation mit den eingeladenen Musikern beim Proben ein Konzertkonzept erarbeitet, das die instrumentalen Kombinationen und Klangereignisse gliedert. Am Konzertabend wird dadurch Raum geschaffen für die Intuition und das Können der Spieler dieses Grundgerüst zutreffend zu füllen.Limpe Fuchs

Limpe Fuchs is an internationally well known sound artist and composer. She studied piano, violin and percussion in the 1960s. She soon started to develop own musical instruments from wood, metal and stone with sculptor Paul Fuchs and eventually founded the group Anima Sound. After disbanding the group in 1989 Limpe Fuchs has taken part in numerous following projects and never ceased to further develop her very own personal sound that any comparisons with other musical styles fails to describe.

"Guili Guili Goulag is some strings that hit, hypnotic rhythm and a voice coming out from the floor. It tickles you as much as it makes you hysterical. It is like listening though rusty pipes to the psychedelic incantations of the members of an ancient tribe, trapped between different times and seekin to communicate with each other. A Voodoo Mass, a strange cult where a fetish with an unlikely language will be incarnated by the sick complicity of a drum, bass guitar and a celtic harp. Thus, our legs and arms begin to dance around them. The ego crumbles, leaving a credulous animal horde which is henchman of futur sordid rituals. Debauchery and sweat garanteed!"Adam Whisper

"..a presence in Antwerp i always enjoyed, whether in the background organising shows at the Scheldapen space in Antwerp, during his Radioshows at Radio Centraal, as a graphic designer and webmaster, as head of the Hare Akedod label or in various other constellations, it is good to see DSR Lines is finally cooking his great Kosmische psychedelic synth jams as a main course!! Eyes wide open behind the wheel one might wanna catch some drips of this fire in the eye balls, but drip slowly, and for a full experience do whatever you please! For those who need some name drops instead, cancel out the vocals on early Battiato records, travel to Germany after Harmonia left a mess or choke Klaus Schulze forcing him to play from his fucking heart!"Dennis Tyfus / Ultra Eczema

"The overwhelming sense of disquiet burns brightly from the bowl immediately. Bleary, opaque synth and ominous low ends have a portentous effect. Hazy noise careens until, unexpectedly, a sequence of piano notes finishes the track. Ōgon Batto, in the seventh release for Hare Akedod, exhibits a prowess for composition throughout this tape; the tracks seem structured for optimal impact on the listener. Cascading piano notes produce waves of eerie chill. Meanwhile, reverb-soaked chords spread through the atmosphere with ease - a lovely juxtaposition. Menacing vibrations continue to circulate in the following track, "Jacht Op Allen." Contemplative piano ruminates in the stale air next to majestic zither. Ritualistic percussion increases the tension, which gives the track another dimension; poignant waves fade in while mutant synth manifests on the periphery. The flipside contains beautiful instances of minimalism, Enigmatic tones and waves of pulsating synths that accelerate and descend all around the listener."Honest Bag